Hong Kong Cultural Center
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Mar 2023 | Presentation at Cultural Studies Association Taiwan annual conference and Department of Architecture, NCKU. Our understanding of “cultural infrastructure” is usually the landmark architecture like the museum or the opera house, such as the Lincoln Centre in New York City constructed in the 1960s. It is a grand structure sitting on the high
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In February 1974, a Cultural Complex sub-committee under the Standing Committee of the Whole Council of Urban Council was setup to coordinate the overall project that was originally under three separate Select Committee (Museum and Art Gallery Selection Committee, Recreation and Amenity Select Committee, City Hall Select Committee). As the master plan was drafted by
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Cultural architecture is often celebrated for its distinction in design to the credit of the architect. However, as we unpack the idea of architectural landmark as a public institution, we would find many more factors in its making beyond the architect’s drawing board. This brief review of public offices involved in cultural infrastructure development serves
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Inaugurated with a full month of celebratory festival in November 1989, the Hong Kong Cultural Centre marks its significances as the cultural and architectural landmark of the city’s most prosperous development period at the end of the 20th century. The project span over two decades in its making, from early proposals of a new museum
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Since the time of its opening in November 1989, the Hong Kong Cultural Centre (HKCC) has been a subject of debate as the new cultural landmark of the city. Situated along the Victoria harbour front, it was criticised by the public for its windowless facade, while initial acoustic quality of the concert hall was also
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Cultural architecture is usually discussed in terms of its formal aesthetic or symbolic meaning, and the actual experienced space receive less attention than the exterior imagery. Urban experience is often studied in social science, although only with marginal connection to the design and programming of architectural space. Therefore, a renewed perspective to look at the
threshold 內外之間 